Comics and screen are two different crafts.
We move stories between them.

A screenplay doesn't become a comic by reformatting it. A comic doesn't become a series by handing someone the trades. Each industry has its own structure, its own pacing, its own idea of what a good pitch looks like — and material that works beautifully in one arrives dead in the other.

We rebuild it so it lands. Both directions.

You have a script.

A feature, a pilot, or a manuscript that hasn't been made. Buyers want IP with a track record, and an unproduced screenplay doesn't have one. The same story published as a comic does — readers, reviews, sales, and a visual identity people can actually look at.

We rebuild it for the page and get it ready for a publisher.

01. The Adaptation Blueprint

You get: An issue-by-issue breakdown with the story restructured for comic pacing, cliffhangers placed where they'll land, and a roadmap for where the series goes after volume one.

02. The Look Book

You get: A character sheet with every principal rendered from multiple angles and expressions, environment and mood boards, and a tone treatment that matches the film you're actually trying to make. Built from your references, your casting wish list, or a written description.

03. The Publisher Package

You get: Blueprint, look book, and market-facing copy — logline, comps, franchise potential — in one document you can send to indie publishers or financing partners.

Consulting and script doctoring

Not every project needs a full build. Some need thirty years of judgment applied to material that's already in motion.

Structural assessment. You send the script, book, or package. You get a written read on what's working, what's broken, and what a buyer will flag before you do — plus the specific fixes, in priority order.

Script doctoring. Hands on the page. Structure, dialogue, pacing, or a full rewrite pass, scoped to what the material actually needs.

Ongoing advisory. Retained across a slate. You get a call and a read whenever a project needs one.

Consulting is priced separately from the packages. If you only need direction and your own team executes, say so upfront and we'll scope it that way.

How we work

A flat price and a date. Every package is a fixed rate with a defined delivery window, agreed before we start. No hourly billing. No scope creep.

Thirty years of it. Founded by a writer with three decades across books, comics, and screen, including work for Marvel, Amazon, AMC, DC Entertainment, HBO, and others.

On the art. For visual packages we use AI tools for mockups and iteration, then human artists for the finals and the consistency pass. That's why turnaround runs in weeks instead of months. If you want a fully hand-drawn package, we'll tell you upfront and quote it differently.

Your material stays yours. Every project is under NDA. We don't develop competing versions of your concept, and we don't pitch it anywhere.

Let's talk

Tell us what you have and which direction you're trying to go. If it needs a structural pass, a visual treatment, or the whole roadmap, we'll tell you what it takes and what it costs.